Pretending to be an angel

During childhood, I was led to believe that love stories lasted forever, and if they did not, it was due to the death of one lover, which immediately led to the death (physical or emotional) of the other. Things did not shift much, they remained within controllable patterns. It is less of a disturbance to think in patterns: you minimise the risks of hitting the bottom of thinking by trying to attach logic to the astrays of emotionalism. However, as I learned after archiving my storybooks in the attic, relationships do not always end good (eg marriage, loads of children, big house and Nirvanic happiness). In fact, the ones that do are quite suspicious :). What people realize less is the impact of their termination upon the others. After a couple of friends have broken up, we cannot go out with both of them any more; separate meetings are necessary, and of course the subject of the relationship must be avoided. New people enter their respective lives – and ours – and sometimes we cannot help ourselves but to compare the present state with “what used to be” and finding exactly those differences which make us regret the older days.

Does it make sense better live alone, rather than inflicting the pain of changing the status quo? This all depends on the base we make our choices on. Were we here only to care for the happiness of others, maybe it would make sense to store our inner self in others, and hope they will keep it safe. But we can’t – because we do not trust others sufficiently (more about this in a next post) – and maybe because we have no idea how to do it.

Who else is gonna bring you a broken arrow
Who else is gonna bring you a bottle of rain
There he goes moving across the water
There he goes turning my whole world around
(Rod Stewart, Broken Arrow)

The less I speak, the more I get to sleep

There is an advertisment I like very much, for a telecom operator. It says: “The things you do not say are lost” (RO: Lucrurile pe care nu le spui, se pierd). I’d extend it to say the things you would like to do but don’t are also lost. And generally, every attitude you would have liked to have but did not have at the right moment, does not define you. Or every little word you would have liked to say in a certain context, or that hand you would have liked to hold out for a friend, or that kiss you would have liked to give… They are all lost forever, for that particular moment will not return, and the ever changing context will lead to different situations, out of which probably the least will prove satisfactory.

It’s like always telling oneself “Tomorrow I will kiss him” or “Starting today I’ll give money to all the old beggars I see” – and never doing it. These negations create expectations in oneself, and not fulfilling them leads to a state of inner turmoil that never seems to cease. It’s not like you should really say everything that crosses your mind (some stuff might *cross* people around you) – but just remember this is the life, these are the opportunities, and this is what you can or cannot make of them. Pondering risks and evaluating possibilities is ok – as long as you do not get more involved in thinking about the structure than about living it out.

PS: There are some of you who told me they would like to read the blog in Romanian, so I’m pondering the idea.
PS1: Much activity and a great idea from Mihai on the Musicblog lately. Check it out: http://www.musicblog.ro/

I'm hearing images, I'm seeing songs
No poet has ever painted
Voices call out to me, straight to my heart
So strange yet we're so well acquainted
I let the music speak, with no restraints
I let my feelings take over
Carry my soul away into the world
Where beauty meets the darkness of the day
(ABBA, I let the music speak)

Apology for not answering the phone

Sometimes we think that people think the way we do and act as other models of ourselves. That is not right, and we know it, but still we react nervously whenever they do things that seem wrong to us – wrong not because they would be so in essence, but because they affect us and because we can not find the meaning we would like to find in them.

Sorry for not picking up the phone when it rings and I do not recognize the number… It’s just that I don’t really enjoy speaking on the phone, and I truly appreciate the ones of you out there who send me SMS or write to me :-)

I’m the darkness in the light
I’m the leftness in the right
I’m the rightness in the wrong
I’m the shortness in the long
I’m the goodness in the bad
I’m the saneness in the mad
I’m the sadness in the joy
I’m the gin in the gin-soaked boy
(The Divine Comedy, Gin-Soaked Boy)

There is no Briony

We declared Friday night a movies' night and I finally saw Atonement, one of the Oscar-nominated motion pictures this year. It was nominated in seven categories, including Best Picture. Probably it will also win some – my movie sniffing nose has never been precise in knowing who will win and who won't.

Anyway, as we saw the film at nearly 3AM, there is little of the dialogues I do remember, and probably they weren't even meant to be that interesting, as the cinematography was absolutely dazzling. This is a classic movie, with classic pictures and some annoyingly good scenes, set in a rich mansion of the 1930s England, some time before the war began. The love story (yes, there is one) unravels quite suddenly but is predictable, except for the double perspective, which is not something you necessarily expect; the watchers are shown what really happens and also how the scenes are seen by a 13-year old Briony, the main female character's sister. Not having yet outgrown the innocence of her age and thus only understanding half-truths of her sister's love story, she tells a lie which changes lives and gives life to a book she will analyse years later.

With the epic storyline, you would expect some more intricacy on character level – but they don't become very complex, although well played. It's the usual He (James McAvoy, really cool) in love with Her (Keira Knightley, at her most beautiful), not knowing if he will return from the war safely to marry and love her, and it's the She who only shines in the pre-war moments (the rest is a combination of “Come back to me” mantras and arrow-looks pointed at the younger sister). What “Atonement” does, however, is to erase the thin line between what is real and what can be imagined as being real in love. Briony is trying to find atonement for her childhood lie by restoring what should have been real, the life that should have been lived. The end of the story gives little encouragement, though. You start wondering if there was a point – at all, and if a few moments of bliss could justify the suffering. In Cold Mountain, for example, there was a sort of an ending, because both character's travels were directed to the future, to the hope that they would see one another again. In Atonement, all you can ask yourself is if forgiveness should be granted to the story – or to the deceiver.

Hair that twirls on finger tips so gently, baby
Hands that rest on jutting hips repenting
Hurt that's not supposed to show
And tears that fall when no one knows
When you're trying hard to be your best
Could you be a little less
(Madonna, Do you know what it feels like for a girl)

Every time we live together

To find a meaning in life and easily spinning around finding that perfect thread to solving the mental intricacies that keep us away from our purpose – kills writing. Sometimes you secretly wish your problems wouldn’t go away – for your sake, and maybe also for the others’ sake, who seek models on the outside to reflect their own discontent and their own incapacity to deal with themselves.

Life unwinds more easily than one would expect, and meanings are always glued to actions we cannot always comprise in the glimpse of a moment. The funny thing is – one does not always need to search for a meaning. I’ve met someone not very long ago who decided to restrict his life to only a few actions outside work. He was striving between a parallel living made from photography and his unwanted IT life. Although his formation was actually different from both his money-making activities, he seemed to somehow have been drawn to fixing himself on a certain path, only in order not to lose the broader view.

But does happiness really lie in these trivial details?

Spacing from paris to new york
Silver sunglasses
Silver phone
Connect us to someone
Who doesnt know
About these feelings we cant control
(Hooverphonic, Renaissance Affair)

Buon giorno, principessa!

Sometimes, we are hurt by the bare image of dawn descending, or the tip of a sun-ray touching some dry roses left over from the last birthday we celebrated with them... the eternal “them” who hurt us, maybe unknowingly or maybe as a demonstration of power. Either by saying the words, by not saying the words, by mumbling the wrong sentences or murmuring too many of the right ones, it is the great unknown “them” we share our lives with who have the greatest power to hurt us, of all.

So how do we escape the land of despair? One of you must keep the emotional balance and continue to feel. The moment both are lost behind the wall of so-called protection, chances are that you are going to lose one another, and develop deep seated depressions you will hardly find a way out of. Instead of remaining bruised and indulging in the thought that loneliness will grow fruit, choose to live in the sun. Yes, there are small happenings, here and then, when you think that maybe you would have been better off if you had not reached out at all. Just think of the costs, for a second. If we accept that the purpose of our lives is to be happy – and make others happy, as well, then we will also accept consequences such as the inevitable hurt more easily.

I believe that the warmth in our hearts can help hidden hearts also see the sun.

I will meet you at the Blue Cafe
Because, this is where the one who knows
Meets the one who does not care
The cards of fate
The older shows
To the younger one, who dares to take
The chance of no return
Where have you been?
Where are you going to?
I want to know what is new
I want to go with you
(Chris Rea, The Blue Cafe)

Woman. Warrior. Queen.

It is so strange how alone one finds oneself in moments most wholesome. How in the split of a second you find yourself distanced from every one and everything around you. These are the moments of truth, of facing yourself as you are, those brief splits in time when you see yourself in everybody around you and would rather run away, than to see again and again the same I you would like to avoid – even if it were for one batting of eyelashes.

So it happens that, to be a part of others again, you must give up a part of yourself in lonely times you need not account to anybody for.

Till now I always got by on my own
I never really cared until I met you
And now it chills me to the bone
How do I get you alone

you don't know how long i have wanted
to touch your lips and hold you tight
(Heart, Alone)